[SOME] THEATRE COMPANY

Synopsis:
We’re off to see the Wizard! In search of their deepest desires – a brain for the scarecrow, a heart for the Tinman, courage for the Cowardly Lion, and the way back home to Kansas for Dorothy…and Toto, too – they meet the Wicked Witch, the Wizard, and more as they follow the yellow brick road through colorful world of Oz.

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CASTING 18+ - actors under 18 will be considered on a case by case basis

ALL roles available to all genders

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Dorothy Gale - Stage Age: 17-24  

A young and sprightly girl, Dorothy lives with her aunt and uncle on the bleak Kansas prairie. She is energetic and anxious, but finds confidence and courage on her journey through Oz. Her best friend is her dog, Toto. *This role may require flying. 

 

The Scarecrow/Hunk - Stage Age: 25+

HUNK – A farmhand on the farm, Hunk is Dorothy’s best friend next to Toto. He doesn’t think he’s very smart but, though his ideas are hit and miss, he’s not dumb by any means. SCARECROW – Rescued by Dorothy from a farmer’s field, the Scarecrow’s greatest wish is to procure brains for himself from the Wizard of Oz. Despite his perceived lack of brains, the Scarecrow is exceedingly intelligent and resourceful. 

 

The Tinman/Hickory - Stage Age: 25+

HICKORY – A farmhand on the Gale property. Thinks of himself as a bit of a strong man. Cares about Dorothy and is heartbroken when she blames him for letting Miss Gulch take Toto away. TINMAN – Rescued by Dorothy after rusting in the forest, the Tinman desires a heart from the Wizard of Oz. He used to be a real man but due to the Wicked Witch of the East’s evil spell, he became a man of tin without a heart. Despite his belief that he lacks emotion; he is a tender and emotional companion. 

 

The Cowardly Lion/Zeke - Stage Age: 25+

ZEKE – A farmhand on the Gale property. Protective and kind, he encourages Dorothy to stick up for herself. But while a big talker, he is easily frightened himself THE LION – The Lion encounters Dorothy, Toto, the Scarecrow, and the Tin Man in the forest. He claims to be a coward and wishes for the Wizard of Oz to give him courage. However, he proves himself courageous in many situations throughout the journey. 

 

The Wizard of Oz/Professor Marvel - Stage Age: 40+  *Non Singing role

PROFESSOR MARVEL – The fortune teller who Dorothy meets when she runs away. He encourages her to return home. He’s an old-time showman, perhaps a bit past his prime. THE WIZARD OF OZ – The Wizard who helps her to return to Kansas from Oz. A con man with heart. 

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Miss Gulch/The Wicked Witch of the West - Stage Age: 35+ - Non-singing role*

MISS GULCH – A neighbour of the Gales. She is rich, entitled, and a bit of a bully who uses the law to make others do what she wants, no matter who gets hurt (i.e. Toto). An unhappy person who has probably never known love, so does not know how to give love to others. Does not seem to like children or animals much. THE WICKED WITCH OF THE WEST- A comic villain. An independent woman who knows what she wants and won’t stop until she gets it. But she’s witty with a rather modern sense of humor. 

 

Glinda, the Good Witch of the North/Aunty Em - Stage Age: 35+

AUNT EM – A care-worn woman, kind and practical. Working the farm with her husband and raising their niece, Dorothy. A plain speaking, down-to-earth, though loving being. GLINDA – Glinda seems to be the only “good witch” in Oz of any consequence. She knows the power of the Ruby Slippers but withholds this knowledge from Dorothy, in order to facilitate her psychological and emotional maturity. A twinkle in her eye – like she always has a secret. 

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Emerald City Guard/Uncle Henry -Stage Age 35+

Dorothy’s Uncle. He is an honest, hardworking man who owns a small farm. He is kind and also cares a great deal about Dorothy. Very likeable. EMERALD CITY GUARD – Guards the entrances to the City of Oz and the Wizard’s Chamber. Gets befuddled, trying to be efficient. A bit puffed up but is a “softy” inside. 

  

Ensemble

We are seeking a diverse ensemble of performers to bring the vibrant world of The Wizard of Oz to life. Ensemble members will play a variety of key roles, including Ozians, Poppies, Monkey's, People of Munchkin Land and Winkies. This is a fantastic opportunity for performers 18+ and learn skill sets to contribute to the magic of the production, with plenty of moments to shine through lively group numbers, character interactions, and iconic scenes.

 

*Although neither the Wizard nor the Wicked Witch require solo singing we would love for those cast in the roles to sing off-stage in key ensemble numbers.

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MUSIC TO PREPARE

Dorothy - RAINBOW

Glinda - COME OUT

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Uncle Henry/Guard - MERRY OLD LAND OF OZ  (Emerald City Guard)

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Scarecrow - IF I ONLY HAD A BRAIN 

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Tinman - IF I ONLY HAD A HEART 

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Lion -  IF I ONLY HAD THE NERVE 

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Aunty Em/ Wicked Witch -  THE JITTERBUG  (this track starts with lion/tinman singing, pls ignore that part)

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Marvel/Oz - CHOOSE ANY

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ENEMBLE - THE JITTERBUG  or DING DONG, THE WITCH IS DEAD (MUNCHKINS)

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​Each track starts with guide vocal, then continues into instrumental.

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GLINDA                                                                                   DOROTHY 

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LION                                                                                        UNCLE HENRY/GUARD

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​HUNK/SCARECROW                                                         HICKORY/TINMAN

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JITTERBUG

 

 

 

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DING DONG

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Some Theatre Cmpany believes in a work environment free of discrimination and harassment in which individuals can showcase their true selves during the creative process. We are committed to reflecting the diversity of our community and promoting equity and inclusion. We welcome submissions from all qualified individuals regardless of gender, age, or race, and encourage applications from artists who are BIPOC as well as those who identify as LGBTQIA+, Disabled/People with Disabilities, and/or Neuro-Divergent. We are ready to assist in overcoming any potential barriers (language, disability, or any other considerations) preventing you from applying to audition, and will work with you to establish a process that is suitable for you. 

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A Note On Theatrical Intimacy:
Theatrical intimacy is any action on stage where the given circumstances of the scene or the overall production calls for touch, both physical and imaginative, or moments between actors of simulated sexuality or sexual violence.

GREAT has been learning from Intimacy Directors & Coordinators (IDC) to improve processes and incorporate safer practices for theatrical intimacy in our rehearsals.

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All scenes with intimacy follow a specific set of staging and rehearsal protocols rooted in consent and safety for the actors.